This week, we are joined by an all-star cast to discuss our 2023 summer read, Natalia Ginzburg’s The Dry Heart. Two of the most insightful readers we know, Merve Emre and Kim McNeil, share wonderful insights and thoughts and help us uncover aspects of Ginzburg’s brilliant work that we had never considered before. We hope your enjoy the conversation as much as we did!
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Books
The Dry Heart, by Natalia Ginzburg
The Ten Thousand Things, by Maria Dermout, translated by Hans Koening
A Chill in the Air: An Italian War Diary, 1939 - 1940, by Iris Origo
War in Val d’Orcia: An Italian War Diary, 1943 - 1944, by Iris Origo
More Was Lost, by Eleanor Perenyi
Thus Were Their Faces, by Silvana Ocampo, translated by Daniel Balderston
The Hearing Trumpet, by Leonora Carrington
The Biography of X, by Catherine Lacey
Pale Fire, by Vladimir Nabokov
The Last Chronicle of Barset, by Anthony Trollope
The Warden, by Anthony Trollope
Barchester Towers, by Anthony Trollope
The Librarianist, by Patrick deWitt
Essays Two: On Proust, Translation, and the City of Arles, by Lydia Davis
Madame Bovary, by Gustave Flaubert, translated by Lydia Davis
The End of the Story, by Lydia Davis
Orlando Furioso, by Ludovico Ariosto, translated by Guido Waldman
No Tomorrow, by Vivant Denon, translated by Lydia Davis
Family Lexicon, by Natalia Ginzburg, translated by Jenny McPhee
Unfinished Business: Notes of a Chronic Rereader, by Vivian Gornick
Valentino, by Natalia Ginzburg, translated by Avril Bardoni
Sagittarius, by Natalia Ginzburg, translated by Avril Bardoni
The Little Virtues, by Natalia Ginzburg, translated by Dick Davis
Happiness as Such, by Natalia Ginzburg, translated by Minna Procter
Lolita, by Vladimir Nabokov
Our Spoons Came from Woolworths, by Barbara Comyns
The Vet’s Daughter, by Barbara Comyns
Other
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The Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another.
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As I listen to you discussing the first page. I am interested that none of you mention the train/Holocaust imagery. The slow inevitable road to catastrophe also has Holocaust resonance. The fact that It took more than an hour for you to mention her politics was amazing to me because I consider them to be essential to understanding her. And you make no mention of her Jewish/Catholic identity issues. It's impossible for me to read Ginzburg as just stories without the history/politics/religion context.